McQueen's Agency (Molly McQueen, Book 1) by Maureen Reynolds

By Maureen Reynolds

Molly McQueen wishes a brand new problem. Her movement to Australia hasn't labored out and now she's again domestic and able to begin her new enterprise, McQueen's organisation. yet Molly quickly reveals that hiring temps out to neighborhood companies is hard going, until eventually the day a profitable activity is available in which turns out nearly too stable to be precise.

On her first day on the new activity, Molly senses that whatever isn't really correct - however the employer desperately wishes the paintings. And whilst Molly starts to find extra approximately her employers and what they're quite as much as, she all of sudden reveals herself in grave threat.

Meantime, for Detective Sergeant Charlie Johns, the mysterious discovery of a sailor's physique within the harbour is ready to get a lot stranger as increasingly more clues begin to element instantly to Molly McQueen.

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McQueen's Agency (Molly McQueen, Book 1)

Molly McQueen wishes a brand new problem. Her circulation to Australia hasn't labored out and now she's again domestic and able to begin her new enterprise, McQueen's service provider. yet Molly quickly unearths that hiring temps out to neighborhood companies is hard going, till the day a profitable task is available in which turns out virtually too sturdy to be precise.

Additional info for McQueen's Agency (Molly McQueen, Book 1)

Sample text

De African church. You talk to Sister Sylvia. You tell her she got to go to Famous Johnson’s crib and get his shit and sell it. She gots my birthday in de church records. I wants a nice headstone. ” Lloyd stood up. ” he asked. ” Lloyd thought of his mother and reached for his rifle, but couldn’t do it. * * * Lloyd ran all the way to 106th and Avalon, composing epitaphs for Famous Johnson en route. His chest was heaving and his arms and shoulders ached from holding his rifle at high port, and when he saw the neon sign proclaiming the “United African Episcopal Methodist Church” he took in last gulps of air to bring his raging heartbeat down to a low ebb; he wanted to be the very picture of armed dignity on a mission of mercy.

Later, he watched through a telescope as she took death’s communion, then gave her two hours of sleep before entering the apartment, leaving the note and turning on the gas. As a final act of love he put a Vivaldi flute concerto on the stereo to provide accompaniment to Elaine’s departure. Blinding memories of other lovers caused his eyes to well with tears as he pictured their moments of culmination: Karen the horse lover, whose house was a virtual testament to her equine passion; Karen who rode bareback in the hills above Malibu and who died astride her strawberry roan as he ran from cover and bludgeoned the horse over the edge of a cliff; Monica, of the exquisite taste in small things, who clad the polio-riddled body she hated in the finest of silk and wool.

It had been many months since the last time, and he attributed this hiatus to the shifting weather patterns that had his head in a tizzy: warm one day, cold and rainy the next, you never knew how women were going to dress, so it was hard to get a fix on one to rescue—you couldn’t feel the colors, the texture of what a woman was until you viewed her in a context of consistency. God knows that when the planning started the little fluxes of her life became all too evident; if he lost love for her then, the resultant pity reaffirmed the spiritual aspects of his purpose and gave him the detachment necessary to do the job.

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