All I Did Was Shoot My Man (Leonid McGill, Book 4) by Walter Mosley

By Walter Mosley

Zella Grisham by no means denied capturing her boyfriend. That's now not why she did 8 years of challenging time on a sixteen-year sentence. It's that the capturing inadvertently resulted in fees of grand robbery. discuss undesirable luck.

Leonid McGill has purposes to think she's blameless. yet reopening the case is simply helping unsettle McGill's deepest existence even further—and divulge a kin mystery that's like a kick to the gut.

As the case unfolds, because the fact of what occurred 8 years in the past turns into extra damning and extra complicated than an individual dreamed, McGill and Zella become aware of that everybody is accountable of anything, and that typically the sins of the previous could be too harmful to ever fail to remember. Or ever forgive.

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Extra info for All I Did Was Shoot My Man (Leonid McGill, Book 4)

Sample text

De African church. You talk to Sister Sylvia. You tell her she got to go to Famous Johnson’s crib and get his shit and sell it. She gots my birthday in de church records. I wants a nice headstone. ” Lloyd stood up. ” he asked. ” Lloyd thought of his mother and reached for his rifle, but couldn’t do it. * * * Lloyd ran all the way to 106th and Avalon, composing epitaphs for Famous Johnson en route. His chest was heaving and his arms and shoulders ached from holding his rifle at high port, and when he saw the neon sign proclaiming the “United African Episcopal Methodist Church” he took in last gulps of air to bring his raging heartbeat down to a low ebb; he wanted to be the very picture of armed dignity on a mission of mercy.

Later, he watched through a telescope as she took death’s communion, then gave her two hours of sleep before entering the apartment, leaving the note and turning on the gas. As a final act of love he put a Vivaldi flute concerto on the stereo to provide accompaniment to Elaine’s departure. Blinding memories of other lovers caused his eyes to well with tears as he pictured their moments of culmination: Karen the horse lover, whose house was a virtual testament to her equine passion; Karen who rode bareback in the hills above Malibu and who died astride her strawberry roan as he ran from cover and bludgeoned the horse over the edge of a cliff; Monica, of the exquisite taste in small things, who clad the polio-riddled body she hated in the finest of silk and wool.

It had been many months since the last time, and he attributed this hiatus to the shifting weather patterns that had his head in a tizzy: warm one day, cold and rainy the next, you never knew how women were going to dress, so it was hard to get a fix on one to rescue—you couldn’t feel the colors, the texture of what a woman was until you viewed her in a context of consistency. God knows that when the planning started the little fluxes of her life became all too evident; if he lost love for her then, the resultant pity reaffirmed the spiritual aspects of his purpose and gave him the detachment necessary to do the job.

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